ADIDAS X INSEP Ubalt Architectes Revamp Athletes’ Lounge and Locker Rooms with Graphical Gusto

2020-06-15 19:21

                            
Located in the Bois de Vincennes on the outskirts of Paris, INSEP, the National Institute of Sport, Expertise and Performance, has been training elite athletes since the 1970s. As part of the institute’s continuous effort to improve the experience of its resident athletes and promote sustainable design, Paris-based interior design studio Ubalt Architectes recently completed the renovation of a suite of spaces in collaboration with Paris-based advertising agency Ubi Bene. Underpinned by a sense of playful minimalism, the team swathed the revamped lounge, meeting room, circulation areas and locker rooms in white and blue, the latter a reflection of INSEP’s partnership with German sport brand Adidas. The result is a series of vibrant yet relaxing spaces whose bold, graphical aesthetic evokes both INSEP and Adidas’ identities.
自1970年代以来,国家体育、专门知识和表演研究所位于巴黎郊区的文森斯市。 作为该研究所不断努力改善其常驻运动员的经验和促进可持续设计的一部分,总部位于巴黎的室内设计工作室Ubalt Architectes最近与总部位于巴黎的广告公司UbiBene合作完成了一套空间的翻新。 在一种好玩的极简主义意识的支撑下,该团队以白色和蓝色横扫了经过改造的休息室、会议室、流通区和更衣室,后者反映了INSEP与德国运动品牌阿迪达斯的合作关系。 其结果是一系列充满活力但令人放松的空间,其大胆的图形美学唤起了INSEP和阿迪达斯的身份。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。
Characterized by the architects as a “large graphic playground”, the renovated lounge is a glass-enclosed space in-between two brick buildings where athletes come to unwind and socialize. Popping out against the blue floor and peripheral brickwork, a white-painted, cage-like volume divides the space into distinct areas without sacrificing the open-plan configuration. Here, athletes can play games, watch television, or relax in a solarium-like zone, as well as eat and work at the communal tables inside the metal structure. The geometric language of the wire-grid central volume is picked up by the square-tiled tables and solarium podium, the glass façade frames and the three white lines stretching across the length of the space. The latter graphically underline the room’s additional use as a passageway as well as reference Adidas’ brand identity, while the corkscrew-like staircase offers the only distraction to the interior design’s rectilinear sensibility.
以建筑师为特色的“大型图形游乐场”,翻新后的休息室是一个玻璃封闭的空间,在两座砖建筑之间,运动员们在那里放松和社交。 在蓝色的地板和外围的砖瓦上弹出,一张白色的画,像笼子一样的体积将空间划分为不同的区域,而不牺牲开放式的配置。 在这里,运动员可以玩游戏,看电视,或在类似日光浴室的区域放松,以及在金属结构内的公共桌子上吃饭和工作。 线栅中心体积的几何语言是由方形的桌子和日光浴室讲台、玻璃立面框架和三条横跨空间长度的白色线条所拾取的。 后者生动地强调了房间作为通道的额外用途,以及参考阿迪达斯的品牌身份,而像瓶塞一样的楼梯为室内设计的直线敏感性提供了唯一的分心。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。
The blue-carpeted meeting room features sleek white furniture and wire-grid partitions that add to its minimalist sophistication. INSEP and Adidas’ brand colour also dominates in the design of the circulatory spaces, some of which are completely swathed in the blue hue, while the locker rooms embrace an all-white and grey palette. The use of 5x5cm square tiling for the locker room walls in combination with the similarly sized grid ceiling create an immersive and soothing space, ideal for athletes to concentrate in before practice or loosen up afterwards. In addition, the juxtaposition between the polished tiles and rough sandstone surfaces imbue the locker room with a subtle dynamism as do the few blue accents that playfully pop out against the monotone colour palette. Along with the graphical sensibility, this dynamic aspect of interior design is ultimately what makes all spaces coherent only further evoking both the institution and the sport brand’s identities.
这间蓝色地毯的会议室配有光滑的白色家具和线栅隔板,使其更加简约。 在循环空间的设计中,INSEP和阿迪达斯的品牌颜色也占主导地位,其中一些空间完全被蓝色笼罩,而更衣室则采用全白色和灰色的调色板。 更衣室墙壁使用5x5cm方形瓷砖,结合类似大小的网格天花板,创造了一个沉浸式和舒缓的空间,理想的运动员集中在练习前或放松后。 此外,抛光的瓷砖和粗糙的砂岩表面之间的并列给更衣室注入了微妙的活力,就像在单调的调色板上有趣地弹出的几个蓝色口音一样。 随着图形敏感性,室内设计的这一动态方面最终使所有空间连贯一致,只会进一步唤起机构和体育品牌的身份。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。

                            
ADIDAS X INSEP by Ubalt Architectes and Ubi Bene. Photography by Yohann Fontaine.
 ADIDASX IN SEP由U伯特建筑师和UbiBene。 约翰·方丹的摄影。
keywords:Design Interior Design 
 关键词:设计室内设计

                    

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